Photographer Clifford Ross Gets The Spotlight This Summer

Lyrical beauty meets high-tech precision in the captivating work of photographer Clifford Ross

Text by Stephen Wallis

Posted June 30, 2015·Magazine

http://www.architecturaldigest.com/story/clifford-ross-wave-art-article

It’s hard to believe that, as a child, artist Clifford Ross was terrified of going into the ocean. Numerous times over the past two decades, he has ventured chest-deep into roiling surf off East Hampton, New York, camera in hand, to create his mesmerizing black-and-white photographs of hurricane waves. “I realized the only way to convey that power and lyricism was to put the audience closer,” says Ross, who began the series in the late ’90s. “You don’t fight that ocean, you just become part of it.”

The uncompromising Ross—whose work is the subject of multiple shows this summer, most notably a midcareer survey at MASS MoCA in North Adams, Massachusetts—thrives on tackling challenges both creative and technical. Starting in 2002, he engineered and patented his own camera, which uses military aerial film, to capture Colorado’s Mount Sopris, producing some of the highest-resolution landscape images ever. “I spent a year and a half building the camera and another year figuring out how to get the prints right,” he says. “In the end it took about five years to make 14 photographs.”

As is typical for Ross, those pictures seeded new, related bodies of work. In recent years he has consulted endlessly with veneer experts on the elaborate process of printing a 114-foot-long version of a mountain photograph on wood, and fragments of that same image have found their way into Ross’s ongoing experiments with augmented-reality digital animation. “I like exploring,” remarks the artist. “It keeps me in a restless state.”

Ross’s growing interest in “creating immersive experiences with moving images,” as he puts it, eventually led him back to his great muse, the sea. Initially he tried shooting video of waves but couldn’t get the high-frame-rate, high-definition camera into the water. So Ross began collaborating with animators at his New York City studio to devise computer-generated waves with “movement as eccentric as I remember it in nature,” he explains.

The result of these efforts will be shown for the first time at MASS MoCA, on two 23-foot-wide LED walls conjuring crashing surf. “We’ve created something genuinely visceral,” Ross says. “Each video is made up of 1.6 million moving dots of light, and we’re firing them off at a furious rate. It’s almost like you’re being shotgunned with beauty.”

For more details on his work and current shows, visit cliffordross.com.

Click here to see one of Ross's wave videos.